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Scene Review, “Paris, Texas”

Paris, Texas, 1984

The movie opens with a disheveled man, Travis, emerging out of the desert in Texas, walking into a medical clinic where he collapses. The man’s brother, Walt, and his wife, Anne are located in Los Angeles. They have been fostering Travis’ 7 year old son, Hunter, since Travis and his wife, Jane, each disappeared. Jane brought the boy to Walt and Anne to offer him a more normal life with normal parents.

Official trailer for Paris, Texas , Winner, Cannes Film Festival 1984.

The scene I chose to review is the second to last scene in the movie (see clip below.) Travis explains the reason behind all the pain and angst of the story. This film is about a family destroyed by alcoholism and domestic abuse through obsession and jealousy.

Moving forward to the scene: Travis finds Jane working in a themed room peep-show. He visits her there and attempts to talk to her, but seeing her here is just too painful. He walks out, returning to his son waiting in the car.

The next day he is back requesting to see her. The camera takes a wide shot, of him walking down a dark corridor looking for the room. Other men stumbling out of other peep-shows they glance at each other and quickly divert their eyes.

The theme of the room is supposed to be a coffee shop, but resembles more of a homey kitchen. Analogous to the location of where their marriage ended, the kitchen of their trailer.

Travis and Jane communicate through a telephone from the client lounge to a speaker on her side of a two-way mirror. Camera takes point of view shot, as he breathes deeply, hands between his knees, head down, staring at the mirror waiting for her. He is prepared to face his demons, and own what he did to her, to them, and to their son; destroying the family.

The light clicks on and Jane bounces into the room, chipper and friendly. The lighting on her side of the room is bright and cheerful, matching her mood. He is on the other side in a darkened and shadowed room. The mood is somber. Foreboding of the dark narrative about to begin. Travis asks if he can tell a long story about a couple he knows. She consents.

Aware she cannot see him, he is unable to look at her while he owns his truth. Camera stays on Travis, he stands, turning his chair away from the mirror. Face now in complete shadow, his features are barely visible. The camera pulls in tighter. His voice is rhythmic and calm. There is silence in the background, no soundtrack here except the tinny background noise from the speaker as he talks into the phone.

Establishing shot pulling back to reveal both actors. She is listening intently. Her posture is upright and head is held high, the lighting on her face looks like sunshine, her face is beaming. The camera stays on her, his voice the only sound. As he continues Jane’s face begins to change, the smile is gone, her head is starting to droop. She is beginning to slump and shrink. As his words flow through of the speaker with the occasional crackle, the pain and angst shrouds her face. Her hair now casting a shadow over the once beaming countenance. The room lighting has dimmed, the camera backs out, both actors in the frame again. A single soft and sweet flamenco guitar begins playing.

Camera pans back to Jane for a closeup. Her eyes darting as feelings begin to resurface, she starts to rock , and realizes this is her story. The camera cuts back to the shadowed Travis, tears in his eyes, face full of emotion, but the voice remains neutral. Guitar continues as the story progresses. They both relive the horror of their last night together. The night he dragged her back to the trailer after a failed attempt to runaway. The camera pulls in for tight closeup as he continues to tell the story as if it is another couple. Explaining how the woman was chained to the stove, he fell asleep listening to the wailing of his wife and baby. Camera back on Jane as she slumps further, she is deep into her memories, tears streaming. He continues to tell how he was dreaming and when he awoke his bed was on fire. Camera is focused on Jane listening, she emits a small gasp as he tells how he ran through the fire, pain evident on her face.

He continues the story, camera on Jane as she wraps her arms around herself, tears wiped away, lips quivering. The guitar gets a little louder, camera stays on Jane, Travis’ voice continues. Turning her head toward the false window her face brightening, like the dawn starting a new day. She realizes it is Travis. Camera point of view shot of Jane’s reflection in the two-way mirror. She walks to the mirror, camera tracking shot, she is pressed against the glass, desperately trying to see him through the glass. Banging on the mirror trying to peel the wall away, frantic, camera pulling back for perspective shot to full view of mirror. He admits who he is. His voice is calming, the actors reverse the lighting, the cafe room is darkened and the lounge has the only light. A desk lamp shining on Travis’ face. She sees him and the scars from his ordeal. When he comes to the end of the story. He continues and tells her about Hudson, that he is waiting for her in the hotel room 1520.

Camera transitions to final scene.

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Where to start? It’s all new to me.

This is the first post on my new blog. I’m just getting this new blog going, so stay tuned for more. Subscribe below to get notified when I post new updates.

Just trying something new…….

I have no idea what to say. This is completely out of my wheelhouse. I will do my best to write on something of interest, I’m sure you will let me know whether I succeeded or not. Thank you for your support.

So, Here’s Where DIY Gets You into Trouble

Drain Auger……not as innocent as it looks.

Saturday started out so productive, up and trying to get out he door by 8:00 A.M. Brushing my teeth as the sink went from a slow drain to officially clogged. So, I get the brainstorm of, I can clear the drain with my handy-dandy auger. Next time I make a decision like this, I will have that second cuppa, and noodle it out some more.

I bounce downstairs grab a the auger, gloves, and a plastic bag. Head back up to the problem. Gloves on I start unwinding the snake into the drain to the stoppage. I twist the cable to grab the clog. I wind the auger back up I remove the repugnant glob of hair, soap, and whatever else. Just to make sure it was clear, I push the cable down again.

Twisting the line I caught another little glob, then I push the cable just a little further. Trying to retrieve the line I realize it is stuck, I tug a little harder and it comes back up. The drain is clear. Brava, me!

So ablutions commenced, as I splashed water on my face, I suddenly noticed, my feet were wet. What the… I realized the drain was leaking, the bathroom floor was flooded. I had pushed the auger right through the corroded pipe. I quickly shut the water off, and began mopping up the mess. Next was to clear out all the stuff in the cabinet. What a fiasco!

So, my brilliant idea of snaking the drain, backfired. Not only did I get out much later than planned, now I had this major mess. I contacted the contractor and he is looking at today. It will be repaired tomorrow.

I am aware that this is not the biggest tragedy in the world, but such an annoyance on top of this sheltering in place. It is just one thing after the other these days. So much for DIY, plumbing edition!

Life in Lock-down

Sounds of Silence
Streets of Silence

Hmmm…. where to start? Let’s start with some positives. Gas prices are cheapest in a decade, My commute, fantastic! Once I make it through the traffic on the stairs, passing fluffy, fluffy, and fluffy, I make it to my laptop in about 10 minutes with a coffee stop (the kitchen.)

Fluffy, Fluffy, and Fluffy, Sr.

Then it’s breakfast on the couch as the laptop hums and programs pop-up one by one. Cats circle around looking for kitty cookies, a.k.a. Temptations Cat Treats. This is the only purpose I serve to them, that and litter box detail, then they’re back to the big bed.

Flipping on the Today Show, hoping to hear something positive. Trying to start the day without the gnawing feeling of the unknown/what’s next, how many died yesterday. Awaiting daily updates from Governor Cuomo. Nice to see a leader with dignity for a change.

Having the headset for the office phone to check messages, relaying them to everyone. Monitoring inboxes for the office and myself. Touch base with all the staff, attempting to get the office work done. Whilst the fluffys return for round two of cookies, walking across keyboards, tangling charger cords, flipping electronics across the room with me tethered by the headset. Even with the share drive available, getting the work done on a laptop, which I do not care for, is a tedious grind. No one to commiserate with about working conditions. This place needs a break room.

How I feel …….

I am in awe of the people on the front lines, and very grateful for them all. Thank God, grocery stores and wine shops are essential! Spend my nights working on this blog, watching vintage television shows, and catching up with old friends. I have always spent a lot of time alone, but being made to stay in is a different thing all together. Right now I am ambivalent about the lock-down. I understand it is what is needed, and just like any other unpleasant task, I slog through, and just do it!

And finally, THANK YOU TO EVERYONE ON THE FRONT LINES, THANK YOU, THANK YOU, THANK YOU!

Music Video Critique

nicks-stevie-568d776f1befb.png (800×310)

In September of 1982 Fleetwood Mac released their album, Mirage. Fleetwood Mac song, Gypsy. A sweet and melancholy song of a woman reflecting on a life-long love affair ultimately ending as the lovers go their separate ways.

At the time of its MTV World Premiere Fleetwood Mac’s master work Gypsy music video was the most expensive ever produced. It is an ethereal video featuring Stevie Nicks‘ unique, sultry, dreamy voice, highlighted by her graceful dance moves. It spotlights her talent as a brilliant lyricist. The band’s famous hypnotic harmonies make this song and video legendary.

I chose this song at this time, because it brings me back to an age of innocence and naivety, a sad and sweet time. Its first three guitar notes transport me immediately to September 1982 in Tuscarora Dorm, SUNY Albany. Watching him drive out onto Western Avenue, back to his school 140 miles away. Head pressed against the window sobbing. Playing lowly on the turntable was his gift, Fleetwood Mac’s album, Mirage. Chosen he said because the fifth cut reminded him of me.

Gypsy was a mirror of our lives, the older we got the more it reflected our relationship. He was in my life nearly 30 years, beginning at the age of 13, he had been my first everything, crush, boyfriend, love, heartbreak, husband, and ex-husband.

The opening scene is Gypsy alone in her room decorated in Victorian style, lace and flowers throughout the room, the lighting is soft. She dressed in a romantic pink handkerchief hem lace dress with leg-warmers dancing, twirling, then settling into a split in front of a cheval mirror looking deep into her reflection. Camera focusing on her in the mirror looking deep past her reflection.

Camera taking an intermediate shot brings us to a Depression age black and white street scene. She is dancing, weaving her way through images of soup lines, the camera takes close up shots of the band members as characters playing, starving people in anguish, the pain obvious on their faces. In stark contrast, the next scene opens with close up on Lindsay Buckingham and the Gypsy dancing close, but not looking at each other. Camera transitions to an overhead shot into a posh speakeasy. Beautifully dressed men and women sliding across the floor. Camera pans around the set to a two shot on Christine and John McVie as patrons of the bar. Lindsay and Gypsy go through the motions of their dance. The extras sweep in front of and swirl around the pair. Camera pans again cutting to close up of Mick Fleetwood his eyes follow the Gypsy as she runs out into the rain claiming her freedom, her bonds are washed away.

As camera pulls back revealing the scene continuing inside a picture frame back in Gypsy’s room, transition back to color film, where she is still looking at her reflection in the mirror. As she is dancing fading into a forest scene where she is dancing, floating, weaving around the trees, she is joined by 3 small little girls dressed as woodland fairies. Wide shot camera locates the rest of the band picnicking in the forest.

During this quarantine period people begin to reflect on their lives. Bringing to mind past friends and lovers. I am trying to remember the good times. And for me Gypsy is the epitome of the most innocent time in my life. During this Covid-19 pandemic lock-up, waning nostalgic searching songs on Pandora, Gypsy was one of the first songs I searched. The next was Watching the Detectives by Elvis Costello, which well kind of probably more accurately describes my wild days, it was after all the 80’s.

Stevie Nicks recently posted this to her official Facebook page.

Another killer song by the Mac……The Chain

Review of Amelia La La La Human Steps

Clips from Amelia: La La La Human Steps

La La La Human Steps created by Édouard Lock was a Montreal based dance troupe which began in the 1980s and disbanded in 2015. I had no idea what to expect from the piece. All I can say is that I was blown away by the skill of these master dancers. The strength each performer exhibited was beyond any that I have ever seen. To me it was like comparing Ringling Bros. Circus to Cirque du Soleil both good, but very very different.

The film opens with Amelia, demonstrating her strength standing perfectly still on pointe, slowly stretching waking up her limbs. She begins running straight at the camera, almost as if greeting you to the experience. Beautiful people moving robotically in perfect synchronization flawlessly executing complex and intricate dance steps at blinding speeds. Female dancers standing on pointe in stick like fashion holding the pose for what seemed an eternity. The men all strikingly handsome, well-coiffed, manicured, and incredibly strong. Lifting and swinging females overhead, and low to the ground and then sweeping them back up again in one fluid motion.

Amelia

Each scene change was abrupt and stark. Spotlights focused on the dancers as they move in staccato at mechanically swift speeds. At times is appears like the film is put into fast forward, but it is the music that speeds up, dancers draw on their skills to keep pace. With each scene comes a different tempo, lighting silhouetting dancers as they pirouette across the stark bamboo floors and walls, circles of light bouncing around the room as if part of the ensemble. Disorienting the viewer as strobe lights flash in front of and behind dancers, music speeding up, and the movements whirl around the stage. Overhead Shots from the ceiling then cut to close up of dancer’s face then cut away to close ups of dancers commingled forms. The camera pans up and down their bodies as they intertwine and zip across the floor.

The soundtrack is fast then dark, dramatic, peaceful, and at points spritely, at others, sad. But my favorite were the bits of the David “Bowiesk” styles, The punk/new wave vibe with the costumes of adrongynously dressed men and women in identical suits. The scene opens with an overhead shot with a wide angle lens, making it difficult to initially distinguish between male and female dancers. Bowie, the main-streamer of androgyny, chic before chic was “in”.

God, I miss Bowie. The Bowie sound is more my speed, and the film made me dig out this old gem from my club days. Dance Magic Dance. https://soundcloud.com/w-lf-stormrage/dance-magic-dance-david-bowie from when life was fun.

Not sure the review does justice to the art of this piece or not. I was drawn into this film, mesmerized by the skill of these dancers and the elegance of their movements. The film pulls you in, you cannot look away. Viewers are left spellbound by its execution and presentation. In the end, my mind was spinning at the fantastic performances.

Trying to Work from Home Covid-19

This is crazy. Working from home is flat-out weird. Trying to maintain the normal schedule is very challenging. Many distractions, especially the Governor Cuomo daily updates on New York State. It is scary and surreal. It makes is difficult to concentrate on forms for the a summer program, when they keep saying that social distancing is going to continue for several months. It seems futile to continue completing applications.

The other distractions around the house include the four legged roommates, the cats. Tucker likes to walk across the keyboard of the laptop. This is strange, because this behavior only just started since telecommuting. So, that distraction was not enough for him, he decided it was time to develop a urinary tract infection (UTI) . So going to the vet is stressful enough for these furballs, but this was a whole new magilla. Not being allowed into the animal hospital, and dropping Tuck in his crate in the middle of the parking lot was excruciating. I never leave them at the vets by themselves. He was taken into the hospital by a stranger. He had to be so frightened. An hour and $500 later, the stranger brought him back outside. My poor little guy.

Luciana……I’m right around the corner…..

So, I get him home, set up to get back to work. The other two, Sophie and Luciana chime in on the Tucker sitch. They do not care for his new fragrance, eau de veterinary hospital. So not only is he sick, he comes home to the cacophony of hissing, growling, spitting, screaming, and chasing. Three days later, he seems to be feeling better, but the females are still hissing and spitting at him. Freaking females!

So trying to focus on work has been a challenge. Keeping in touch with office staff, and act as if things will be back to normal soon, also seems futile. Anyway, inside until further notice. Hope we all stay safe and keep well.

Daylight Saving Time, UGH!!!

Did you know that Dali’s melting clocks were inspired by Camembert cheese?

So, my father and the generations before him were produce farmers on Long Island. This Day Light Saving Time thing, worked out pretty well in the days before automation, and robotic tractors. The human element was not quite at that speed, so longer days were beneficial. But, why are we still using this system?

It begins tonight, and I am dreading it. After working in the museum shop during the day, catering until midnight, and I am due back at the shop at 9:30 A.M. Forfeiting and hour tomorrow is going to suck!!! I really need to look at my calendar before committing. But, I will be happy when the checks come in, so it’s all good.

Oh well, I will sleep in next Saturday, with no alarms. Can’t wait!

My Amazing Mom

Helen Deasy age 8

For nearly 90 years Helen Rita fought the good fight. Born in 1929, only months before the start of the Great Depression, Helen was the youngest of eight. Born to Bridget and William Deasy, a head housekeeper and the estate keeper for a wealthy family on the Gold Coast of Long Island. Growing up on the estate overlooking the Long Island Sound, she was instilled with a love of nature and sport.

Mom was a tomboy. Palling around with my uncle, Sonny, climbing trees, hiking the dunes, swimming, playing baseball and football, and learning to show jump. She became a cheerleader, which until the 1940s was a male sport. As a member of the Greatest Generation, she did her part. This would all come to an abrupt stop in 1945. Coming home from school with a cold, she was rushed to the polio treatment center in Port Jefferson, St. Charles Hospital. Within days of the diagnosis, Mom was paralyzed from her face down. For nearly 14 months Helen, fought her way back to health. Only discharged when she was able to touch her nose to her knees.

Post recovery Helen became an X-Ray technician. While watching Sonny play baseball she met her husband, Robert J. Iberger, and they began their life together. They raised a family of 4 children, sent them all to parochial school, and started a successful business. She was the favorite aunt to more than 50 nieces and nephews. She bred German Shepard puppies, and landscaped 2 wooded acres into beautiful gardens. Carving little vignettes through the woods, planting shrubs, ornamental plants, and flowers chosen to draw in songbirds and butterflies. She created wildlife sanctuaries thoughtfully placing water features for birds, squirrels, chipmunks, deer, bees, and butterflies.

Always ahead of her time, she was an animal rights activist from a very young age. Raising her children to respect, support, and love animals. While we always had two German Shepherds and two cats, we also had a flock of chickens, a peacock, rabbits, a pair of mallards, a Koi fish pond, a racoon, a parrot, parakeets, hamsters, guinea pigs, snakes, and an aquarium filled with tropical fish.

She taught us kindness, integrity, fortitude, and that our actions mattered. She taught us to be strong and always do the right thing, even if it hurts. She never complained about her troubles, she just did what needed to be done. She lived by the Golden Rule.

Time marches on, and unfortunately polio was not Mom’s only health challenge, over the next 6 decades she survived: Miscarriage, birthing 4 children, postpartum hemorrhaging, double collapsed lungs, bee venom anaphylaxis, a ruptured appendix, caring for her dying husband and his death, a ruptured peritoneum which resulted in severe malnutrition and depression, the death of child, chemo and radiation therapies, 3 years with stage 4 lung cancer, and the final blow, a right-sided stroke losing her ability to walk and speak.

She was living independently, driving only 3 days before the stroke. For 3 months she endured the physical therapy, pureed nursing home food, and 3 kids hovering over her, fighting like hell to get back home. She began to make progress, but the cancer took over. My mom, Helen Rita Deasy Iberger, was unbelievably strong both physically and mentally. She lost her last battle in July of 2019. The end was cruel and unfair to someone who played by the rules, who worked hard to be strong and lead by example. My mom was amazing!

Corona Virus, Future Medical Miracle?

With the current climate, and general hysteria regarding the Corona virus it is amazing how quickly people forget the history of diseases throughout mankind. It was essential in order for man to survive, we needed to evolve our immune systems. Whether it was the 1800s Small Pox, the 1920s Influenza, the 1970s Swine Flu, 1980s HIV/AIDS, and more recently SARS, MRSA or Ebola from the 2000s. Epidemics and pandemics have been around since the existence of international commerce. Our survival has depended upon the body’s ability to fight disease.

Interestingly, the first deaths from Bubonic Plague were recorded in China… sound familiar? The virus spread via the trade routes on fleas piggybacking on rats through Western Asia, Northern Europe, and finally throughout Europe. Twenty-five million people died from the Black Death between the 1300s and 1600s. That number seems astonishing today in a world of perpetual medical breakthroughs. Surviving the Plague meant our immune systems were now stronger and thereby, our bodies more resilient to disease. We would survive as a species.

In the twentieth century, scientists took that same virus and tweaked a strain for the purposes of cosmetic and medical procedures. The medical community has been using this strain for Botox for several decades to rid facial wrinkles and preventing facial expressions by paralyzing muscles. More recently, migraine suffers have benefited from the same strain, more uses are being researched every day. Only fifty years ago, this would have seemed insane. There have been 2 recorded deaths from Bubonic Plague as a side effect from Botox. https://www.ehealthme.com/ds/botox/plague/

So my question is this, is Corona Virus, the next plague? And if it is, could it be another medical miracle down the road?

Working in the Gig Economy 2020

It’s a long strange trip!

Well, it is a new decade. Woohoo, the 20’s!

While still reeling from the previous 10 years, my mindset was not first and foremost on getting back into the workforce. A rather an expensive decision to delay my return, pushed me into the current ‘gig economy.’

Who knew that one full-time job with benefits would not be sufficient to live on? Despite the frugality of keeping the same vehicle for 15 years (Volvo for Life!), little or no travel, and even with no rent, more income was needed to maintain a certain lifestyle. During the previous decade bills racked up, interest soared! So, the 2010’s were literally spent paying back the previous decade’s hard choices.

For the past 8 years, I have been juggling 3 jobs. One full-time and 2 part-time jobs. I am administrative assistant, a museum shop clerk, and a personal chef. There are times when I will work as many as 9 weeks straight. It is stressful, it is exhausting, but it is necessary. I took the first part-time position offered. I worked for the U.S. Census Bureau, pet sat, house sat, and even tutored. After taking nearly 5 years to find a full-time position, I have been reluctant to surrender my two main side hustles. Hey, you never know. So, living in a gig economy, the 2020’s another roaring decade!

If you are interested in more information, the link below defines the current gig market, and describes California’s new law protecting ‘gig’ type of employees.

https://zety.com/blog/gig-economy-statistics

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